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Dance Star Matthew Ball on Demanding Parts and Social Media Attention: 'I Don't Feel Protective About My Body'

In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly upright, his arms muscular beneath a plain white T-shirt. During performances, ballet dancers can appear as mighty gods, yet frequently offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for princely roles and pas de deux work. With fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was promoted each year, reaching the top rank of principal in 2018. He has loved taking on meaty characters, especially the psychological turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" event aiming to offer behind-the-scenes perspectives into a performer's craft. He will walk the audience through a part, showing his cognitive process while performance. Yet in more comedic works, the test is significant. "Don Quixote is one of the most demanding from a skill perspective," he notes.

The Mental Struggle and After the Show Emotions

What about following a performance, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. Yet a dance maker previously observed on a "kind of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Motivations and Artistic Influences

Ball's determination originated in youthful setbacks. Not excelling in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, music, and art.

Close-Up Performance and Personal Partnership

He additionally favors staging dance in smaller venues. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They are not usually paired on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On social media, fans can see videos from his dance films and images that showcase a athletic form. Does he care that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various levels.

Ball describes his early self as "desperate for success." Has it met his expectations? "I am conscious of how life is a separate thing to the dreams you made as a child," he reflects. He likely has another ten years of dancing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

About the author

Dakota Taylor

Elara Vance is a sustainability consultant and writer with over a decade of experience in renewable energy policy and eco-friendly innovations.

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